Narratives in Art.
Narratives in Art is a living archive of my practice, a space to document, process, and think out loud. Posts might follow a new work, a small observation, an exhibition, or a question I can't yet answer. There is no fixed agenda here, only an ongoing record of how the work develops, where it leads, and what it is slowly becoming.
Perhaps We Should Reconsider.
In March 2025, I exhibited three ink paintings in the CSM Interim Show Perhaps We Should Reconsider. This blog reflects on that surreal and affirming first exhibition experience - sharing thoughts on the works shown, the installation process, and the joy of finally meeting my course mates in person.
Reflections On My Second 1-2-1.
These 1-2-1 tutorials always feel like a valuable pause - moments to recalibrate and refocus my direction of study. This second session reaffirmed that I’m on the right track, while also opening up new avenues for experimentation. We explored the role of negative space in my work, the idea of balance in Chinese Brush Painting, and how translation - of memory, place, and emotional resonance - continues to shape my practice. I left the tutorial with a renewed sense of confidence and excitement, eager to push my work further, both in scale and concept.
“The Art Of Chinese Brush Painting” - Maggie Cross.
In this article, I reflect on how Maggie Cross' The Art of Chinese Brush Painting has inspired new directions in my artistic journey. From experimenting with unconventional ink techniques to rediscovering the connection between calligraphy and brush painting, I explore how these traditional methods are shaping my approach to creating art.
Scaling up #1 & Threads Exhibition.
Scaling Up #1 is my first attempt at translating my detailed style into a larger composition. This experimental sketch taught me to embrace imperfections, overcome creative hurdles, and find unexpected freedom in the challenges of working on a new scale.
Imagination / Resentment.
In this blog post, I reflect on the relationship between resentment and imagination, a topic we explored in a recent group session. Resentment, while technically involving a form of imagination, can block our creative processes by leaving no room for growth or positive creation. Through a free writing exercise on what blocks my imagination, I uncovered insights that continue to shape my artistic practice.
First Group Critique.
Participating in my first group critique session was both nerve-wracking and exhilarating as I shared my large-scale experimental piece for the first time. The feedback I received, from technical tips like using a stipple brush to deeper inspirations such as exploring Sohrab Sepehri’s work and Chinese Freehand brush techniques, left me with an unexpected burst of motivation. This experience marked a pivotal moment, moving me from guarded creation to confident exploration, and showed me that sharing my art amplifies its meaning rather than diminishes it.